Lia MACHINATION 84
The intrigue inscribed into this production’s title can only refer to the game of illusions that makes use of depth of focus and the (implied) figures. Individual “flames” seem to move into the foreground, close to the viewer’s eyes, and Machination 84 progresses from detailed drawing to smoldering fire. In its second half, the color scheme starts to resemble hellfire, in hot yellow and red, and then the lines slant to the left until they are horizontal, as if blown down in some imaginary storm. At the film’s end they run like paint—with a final surrealistic punch line: Toxic-yellow and blood-red trails, tangible like in action painting, move upward across the screen’s canvas.
biography:
Lia je Graphikprogrammer. Bavi se kompjuterima od 1995. godine.
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